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headers already sent by (output started at /mnt/web108/e1/47/57847647/htdocs/wordpress/wp-includes/Requests/Cookie/Jar.php:15) in /mnt/web108/e1/47/57847647/htdocs/wordpress/wp-includes/rest-api/class-wp-rest-server.php on line 1723 Warning: Cannot modify header information - headers already sent by (output started at /mnt/web108/e1/47/57847647/htdocs/wordpress/wp-includes/Requests/Cookie/Jar.php:15) in /mnt/web108/e1/47/57847647/htdocs/wordpress/wp-includes/rest-api/class-wp-rest-server.php on line 1723 Warning: Cannot modify header information - headers already sent by (output started at /mnt/web108/e1/47/57847647/htdocs/wordpress/wp-includes/Requests/Cookie/Jar.php:15) in /mnt/web108/e1/47/57847647/htdocs/wordpress/wp-includes/rest-api/class-wp-rest-server.php on line 1723 Warning: Cannot modify header information - headers already sent by (output started at /mnt/web108/e1/47/57847647/htdocs/wordpress/wp-includes/Requests/Cookie/Jar.php:15) in /mnt/web108/e1/47/57847647/htdocs/wordpress/wp-includes/rest-api/class-wp-rest-server.php on line 1723 Warning: Cannot modify header information - headers already sent by (output started at /mnt/web108/e1/47/57847647/htdocs/wordpress/wp-includes/Requests/Cookie/Jar.php:15) in /mnt/web108/e1/47/57847647/htdocs/wordpress/wp-includes/rest-api/class-wp-rest-server.php on line 1723 Warning: Cannot modify header information - headers already sent by (output started at /mnt/web108/e1/47/57847647/htdocs/wordpress/wp-includes/Requests/Cookie/Jar.php:15) in /mnt/web108/e1/47/57847647/htdocs/wordpress/wp-includes/rest-api/class-wp-rest-server.php on line 1723 Warning: Cannot modify header information - headers already sent by (output started at /mnt/web108/e1/47/57847647/htdocs/wordpress/wp-includes/Requests/Cookie/Jar.php:15) in /mnt/web108/e1/47/57847647/htdocs/wordpress/wp-includes/rest-api/class-wp-rest-server.php on line 1723 Warning: Cannot modify header information - headers already sent by (output started at /mnt/web108/e1/47/57847647/htdocs/wordpress/wp-includes/Requests/Cookie/Jar.php:15) in /mnt/web108/e1/47/57847647/htdocs/wordpress/wp-includes/rest-api/class-wp-rest-server.php on line 1723 {"id":84,"date":"2017-01-04T15:14:00","date_gmt":"2017-01-04T14:14:00","guid":{"rendered":"http:\/\/danielnehring.de\/?page_id=84"},"modified":"2022-11-08T09:59:23","modified_gmt":"2022-11-08T08:59:23","slug":"news","status":"publish","type":"page","link":"https:\/\/danielnehring.de\/news\/","title":{"rendered":"News"},"content":{"rendered":"
\n
\n\t

<\/h4>\n

<\/h4>\n

2022
\n<\/span><\/h4>\n

PALACE, D\u00fcsseldorf
\nGeister<\/span><\/h2>\n<\/div>\n<\/div><\/div><\/div>
\n\n
\n\t\t\"Daneil\n\t<\/div>\n\n<\/div><\/div>
\n
\n\t

<\/h4>\n

<\/h4>\n

INVITATION \/ EINLADUNG<\/span><\/h4>\n

 <\/p>\n

Geister
\n18.11.2022 - 15.12.2022
\nPALACE, Worringer Platz 1<\/a><\/p>\n

Opening Fr. 18.11.2022, 18 Uhr
\nThe exhibition can be visited 24\/7<\/p>\n

\/\/<\/p>\n

Geister sind entk\u00f6rperlichte und fluide Erscheinungen, nicht mehr als Luftz\u00fcge oder Windst\u00f6\u00dfe, die ihre Anwesenheit seit jeher den Visionen und imaginierten Bildern menschlicher Erz\u00e4hlungen verdanken. Sie manifestieren sich in der Unsch\u00e4rfe, zwischen Sichtbarkeit und Unsichtbarkeit und streifen uns fast unmerkbar. Dennoch hinterlassen Sie Schockwellen, die nur langsam verklingen.
\n<\/span>Daniel Nehring bringt in seiner Arbeit Geister, diese fl\u00fcchtigen Formen, zur Kristallisation. Die \u00dcbersetzung von K\u00f6rpern in digitale 3D-Modelle erm\u00f6glicht es ihm, die Parameter naturgetreuer Darstellung ebenso zu untersuchen, wie zu verschieben. In einer morphenden Choreografie bringt er bestehende 3D-Modelle menschlicher B\u00fcsten und selbst erstellte K\u00f6pfe fantastischer Wesen zum Verschmelzen. Die Urspr\u00fcnge l\u00f6sen sich hier in den \u00fcberblendenden Formen, Details und Oberfl\u00e4chen auf; die Haut verselbstst\u00e4ndigt sich im Spiel mit den Parametern der Software. An der Grenze zwischen Fl\u00e4che und Raum, Innen- und Au\u00dfenwelt definiert die Haut eine Schwelle mit komplexer Bedeutung: sie \u00f6ffnet sich in Daniel Nehrings Arbeit zu einem Bildraum, in dem mineralisch anmutende Anatomien und korallen\u00e4hnliche Verwachsungen zu pulsieren beginnen. Im spielerischen Umgang mit den digitalen Daten und Vektoren entstehen hybride Entit\u00e4ten, in denen noch die gescannten K\u00f6rperoberfl\u00e4chen durchscheinen, w\u00e4hrend sie gleichzeitig unter mystischen, skulpturalen und geologischen Schichtungen zu Mischwesen fusionieren.
\n<\/span>Text: Christoph G\u00f6rke<\/span><\/p>\n

Die Ausstellung wird gef\u00f6rdert durch das Kulturamt D\u00fcsseldorf und die Beauftragte der Bundesregierung f\u00fcr Kultur und Medien<\/span><\/p>\n

Ghosts are disembodied and fluid apparitions, no more than drafts of air or gusts of wind that have always owed their presence to the visions and imagined images of human narratives. They manifest themselves in the blur, between visibility and invisibility, touching us almost imperceptibly. Yet they leave shockwaves that fade only slowly.
\n<\/span>In his work, Daniel Nehring brings these ephemeral forms to crystallization. The translation of human bodies into digital 3D models enables him to examine the parameters of naturalistic representation as well as to shift them. In a morphing choreography, he fuses existing 3D models of human busts and self-created heads of fantastic beings. The origins dissolve here in the blending forms, details and surfaces; the skin takes on a life of its own in the play with the parameters of the software. At the boundary between surface and space, inner and outer world, the skin defines a threshold with complex meaning: in Daniel Nehring's work, it opens up into a pictorial space in which mineral-like anatomies and coral-like adhesions begin to pulsate. In the playful handling of the digital data and vectors, hybrid entities emerge in which the scanned body surfaces still shine through, while at the same time merging into hybrid beings under mystical, sculptural and geological layers.
\n<\/span>Text: Christoph G\u00f6rke<\/span><\/p>\n

The exhibition is supported by the Cultural Office D\u00fcsseldorf and the Federal Government Commissioner for Culture and the Media.<\/span><\/p>\n<\/h4>\n<\/div>\n<\/div><\/div><\/div>

\n
\n\t

<\/h4>\n

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2022
\n<\/span><\/h4>\n

Dahms Kunstbetrieb, Littel
\nSpuk
\n<\/span><\/h2>\n
<\/h6>\n

 <\/p>\n

 <\/p>\n

\u00a0<\/em><\/p>\n<\/div>\n<\/div><\/div><\/div>

\n\n
\n\t\t\"Spuk,\n\t<\/div>\n\n<\/div><\/div>
\n
\n\t

<\/h4>\n

<\/h4>\n

2022
\n<\/span><\/h4>\n

Post-Kultur, Hamburg
\nThis is not a playground
\n<\/span><\/h2>\n
<\/h6>\n

 <\/p>\n

 <\/p>\n

\u00a0<\/em><\/p>\n<\/div>\n<\/div><\/div><\/div>

\n
\n\t

<\/h4>\n

<\/h4>\n

2022
\n<\/span><\/h4>\n

ZERO foundation, D\u00fcsseldorf
\nyesterday, today, tomorrow
\n<\/span><\/h2>\n
<\/h6>\n

 <\/p>\n

 <\/p>\n

\u00a0<\/em><\/p>\n<\/div>\n<\/div><\/div><\/div>

\n
\n\t

<\/h4>\n

<\/h4>\n

22. Mai - 14. Juni 2021
\n<\/span><\/h4>\n

PALACE<\/span>, D\u00fcsseldorf
\nRauschen<\/span><\/em><\/span><\/h2>\n<\/div>\n<\/div><\/div><\/div>
\n\n
\n\t\t\"Daniel\n\t<\/div>\n\n<\/div><\/div>
\n
\n\t

<\/h4>\n

<\/h4>\n

M\u00e4rz 2021
\n<\/span><\/h4>\n

PALACE<\/a><\/span>,<\/span> D\u00fcsseldorf
\nTricksters Herbarium<\/span>
\n<\/span><\/h2>\n
<\/h6>\n<\/div>\n<\/div><\/div><\/div>
\n\n
\n\t\t\"Computer\n\t<\/div>\n\n<\/div><\/div>
\n
\n\t

<\/h4>\n

2020 \/ 2021
\n<\/span><\/h4>\n

Boxes,<\/em><\/span> Collaborative transfer-project with Entropicals, happening somewhere <\/span><\/em>between D\u00fcsseldorf, Paris and at least one place that will change all the time<\/em><\/span><\/span><\/span><\/h2>\n
zusammen mit Evelyn M\u00f6cking,<\/a><\/span><\/span> Ulysse Bordarias<\/a><\/span> und Andreas<\/span> Schr\u00f6der<\/span><\/a><\/h6>\n
<\/h6>\n<\/div>\n<\/div><\/div><\/div>
\n
\n\t

<\/h4>\n

<\/h4>\n

29. September 2020
\n<\/span><\/h4>\n

Fire Flies II<\/span>, K\u00fcnstlervein Malkastenpark, D\u00fcsseldorf
\n<\/span><\/h2>\n
zusammen mit Evelyn M\u00f6cking<\/a><\/span><\/span><\/h6>\n<\/div>\n<\/div><\/div><\/div>
\n
\n\t

<\/h4>\n

<\/h4>\n

September 2020
\n<\/span><\/h4>\n

Open Studios<\/span> aka Kunstpunkte<\/span>, D\u00fcsseldorf
\n<\/span><\/h2>\n
zusammen mit Evelyn M\u00f6cking<\/a><\/span><\/span><\/h6>\n<\/div>\n<\/div><\/div><\/div>
\n
\n\t

<\/h4>\n

<\/h4>\n

Juni 2020
\n<\/span><\/h4>\n

Reclaim Award, K\u00f6ln<\/em><\/span><\/h2>\n
<\/h6>\n<\/div>\n<\/div><\/div><\/div>
\n\n
\n\t\t\"Kunst\n\t<\/div>\n\n<\/div><\/div>
\n
\n\t

\u00a0<\/h4>\n

\u00a0<\/h4>\n

September 2019<\/span><\/h4>\n

Centre des Sciences et des arts, St. Ouen, Paris
<\/span>Entropic Elegy<\/em><\/span><\/h2>\n
zusammen mit Evelyn M\u00f6cking<\/a><\/span>, Ulysse Bordarias<\/a><\/span> und Andreas Schr\u00f6der<\/a><\/span><\/span><\/h6>\n<\/div>\n<\/div><\/div><\/div>
\n\n
\n\t\t\"\"\n\t<\/div>\n\n<\/div><\/div>
\n
\n\t

\u00a0<\/h4>\n

\u00a0<\/h4>\n

M\u00e4rz 2019<\/span><\/h4>\n

WELTKUNSTZIMMER
<\/span>Organic Drama<\/em><\/span><\/h2>\n
zusammen mit Evelyn M\u00f6cking<\/a><\/span>, Ulysse Bordarias<\/a><\/span> und Andreas Schr\u00f6der<\/a><\/span><\/span><\/h6>\n<\/div>\n<\/div><\/div><\/div>
\n\n
\n\t\t\"Daniel\n\t<\/div>\n\n<\/div><\/div>
\n
\n\t

\u00a0<\/h4>\n

\u00a0<\/h4>\n

Februar 2019<\/span><\/h4>\n

K21
Planet 58
<\/span>
<\/span><\/h2>\n<\/div>\n<\/div><\/div><\/div>
\n\n
\n\t\t\"Daniel\n\t<\/div>\n\n<\/div><\/div>
\n
\n\t

\u00a0<\/h4>\n

\u00a0<\/h4>\n

September 2018<\/span><\/h4>\n

Kunstpunkte Atelierhaus Walzwerkstra\u00dfe
<\/span>Quiet the same<\/em><\/span><\/h2>\n
Zusammen mit<\/span> Evelyn M\u00f6cking<\/a><\/span>
Zu Gast:
Ulysse Bordarias<\/a><\/span> & Andreas Schr\u00f6der<\/a><\/span><\/span><\/span><\/h6>\n<\/div>\n<\/div><\/div><\/div>
\t\t\t\t
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    \n\t\t\t\t\t\t\"Daniel\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t<\/li>\n\t\t\t\t
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    \n\t\t\t\t\t\t\t\t\t\t
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    2. <\/a><\/li>\n\t\t\t\t\t\t\t\t\t<\/ol>\n\n\t\t\t\t
      \n\t\t\t\t\t\n\t\t\t\t\t\t<\/em>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\n\t\t\t\t
      \n\t\t\t\t\t\n\t\t\t\t\t\t<\/em>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div><\/div><\/div>
      \n
      \n\t

      \u00a0<\/h4>\n

      \u00a0<\/h4>\n

      September 2018<\/span><\/h4>\n

      Kunstverein Ahlen<\/span>
      Excuse me for my exudate<\/em><\/span><\/h2>\n
      zusammen mit<\/span> Evelyn M\u00f6cking<\/a><\/span><\/span><\/h6>\n<\/div>\n<\/div><\/div><\/div>
      \n\n
      \n\t\t\"Daniel\n\t<\/div>\n\n<\/div><\/div>
      \n
      \n\t

      \u00a0<\/h4>\n

      \u00a0<\/h4>\n

      Juli 2018<\/span><\/h4>\n
      \"\"\u00a0
      <\/span><\/span><\/h6>\n
      Abschlusspr\u00e4sentation Kunstakademie D\u00fcsseldor<\/span><\/span>f<\/span><\/span>

      <\/span><\/h6>\n<\/div>\n<\/div><\/div><\/div>
      \n\n
      \n\t\t\"\"\n\t<\/div>\n\n<\/div><\/div>
      \n\n
      \n\t\t\"\"\n\t<\/div>\n\n<\/div><\/div>
      \n\n
      \n\t\t\"\"\n\t<\/div>\n\n<\/div><\/div>
      \n
      \n\t

      \u00a0<\/h4>\n

      \u00a0<\/h4>\n

      4. Mai \u2013 10. Juni 2018<\/span><\/h4>\n

      Kunstverein Ahlen
      \"68 wird 50 \u2013 Ein Mythos in der Midlife Crisis\"<\/p>\n<\/h2>\n

      Zusammen mit<\/span> Evelyn M\u00f6cking<\/a><\/span><\/h6>\n

      \u00a0<\/p>\n<\/div>\n<\/div><\/div><\/div>

      \n\n
      \n\t\t\"Daniel\n\t<\/div>\n\n<\/div><\/div>
      \n\n
      \n\t\t\"\"\n\t<\/div>\n\n<\/div><\/div>
      \n\n
      \n\t\t\"\"\n\t<\/div>\n\n<\/div><\/div>
      \n
      \n\t

      \u00a0<\/h4>\n

      \u00a0<\/h4>\n

      31. Januar \u2013 4. Februar 2018<\/span><\/h4>\n

      Rundgang Kunstakademie D\u00fcsseldorf 2018<\/a>
      (Klasse H\u00f6rnschemeyer, Raum 010 im Erdgeschoss)<\/span><\/h2>\n<\/div>\n<\/div><\/div><\/div>
      \n\n
      \n\t\t\"Daniel\n\t<\/div>\n\n<\/div><\/div>
      \n
      \n\t

      \u00a0<\/h4>\n

      \u00a0<\/h4>\n

      16.\/17. September<\/span><\/h4>\n

      Kunstpunkte 2017
      <\/strong><\/span><\/h2>\n<\/div>\n<\/div><\/div><\/div>
      \n\n
      \n\t\t\"Daniel\n\t<\/div>\n\n<\/div><\/div><\/div><\/div>
      \n
      \n\t

      \u00a0<\/h4>\n

      \u00a0<\/h4>\n

      19. Februar \u2013 12. M\u00e4rz\u00a02017<\/span><\/h4>\n

      DIE GROSSE Kunstausstellung NRW D\u00fcsseldorf 2017
      (Klasse Franka H\u00f6rnschemeyer)
      <\/a><\/strong><\/span><\/h2>\n<\/div>\n<\/div><\/div><\/div>
      \n\n
      \n\t\t\"\"\n\t<\/div>\n\n<\/div><\/div><\/div><\/div>
      \n
      \n\t

      \u00a0<\/h4>\n

      13. \u2013 19. Februar 2017<\/span><\/h4>\n

      Rundgang Kunstakademie D\u00fcsseldorf 2017
      <\/a>(Klasse H\u00f6rnschemeyer)<\/span><\/h2>\n<\/div>\n<\/div><\/div><\/div>
      \n\n
      \n\t\t\"Daniel\n\t<\/div>\n\n<\/div><\/div>
      \n\n
      \n\t\t\"Daniel\n\t<\/div>\n\n<\/div><\/div><\/div><\/div>
      \n
      \n\t

      25. Mai \u2013 2. Juli 2016<\/span><\/h4>\n

      WERMUT<\/a><\/strong><\/span>
      Galerie f\u00fcr Gegenwartskunst Bremen<\/span>
      <\/span><\/h2>\n

      \u00a0\"\" <\/span>\"\"<\/h2>\n
      \n
      \n
      \n
      \n

      \u00a0<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div><\/div>

      \t\t\t\t
      \n\t\t\t\t\t<\/ul>\t\t\t\t
        \n\t\t\t\t\t\t\t\t\t<\/ol>\n\n\t\t\t\t
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        \n\t\t\t\t\t\n\t\t\t\t\t\t<\/em>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div><\/div><\/div>
        \t\t\t\t
        \n\t\t\t\t\t<\/ul>\t\t\t\t
          \n\t\t\t\t\t\t\t\t\t<\/ol>\n\n\t\t\t\t
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          \n\t\t\t\t\t\n\t\t\t\t\t\t<\/em>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div><\/div><\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"

          2022 PALACE, D\u00fcsseldorf Geister INVITATION \/ EINLADUNG   Geister 18.11.2022 – 15.12.2022 PALACE, Worringer Platz 1 Opening Fr. 18.11.2022, 18 Uhr The exhibition can be visited 24\/7 \/\/ Geister sind entk\u00f6rperlichte und fluide Erscheinungen, nicht mehr als Luftz\u00fcge oder Windst\u00f6\u00dfe, die ihre Anwesenheit seit jeher den Visionen und imaginierten Bildern menschlicher Erz\u00e4hlungen verdanken. Sie manifestieren […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"template-full-width.php","meta":[],"yoast_head":"\nDaniel Nehring News News Upcoming Exhibitions - Ausstellungen -<\/title>\n<meta name=\"description\" content=\"Daniel Nehring News - Upcoming Exhibitions - Ausstellungen - Neuigkeiten\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/danielnehring.de\/news\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Daniel Nehring News News Upcoming Exhibitions - Ausstellungen -\" \/>\n<meta property=\"og:description\" content=\"Daniel Nehring News - Upcoming Exhibitions - Ausstellungen - Neuigkeiten\" \/>\n<meta property=\"og:url\" content=\"https:\/\/danielnehring.de\/news\/\" \/>\n<meta property=\"og:site_name\" content=\"Daniel Nehring\" \/>\n<meta property=\"article:modified_time\" content=\"2022-11-08T08:59:23+00:00\" \/>\n<meta property=\"og:image\" content=\"http:\/\/danielnehring.de\/wp-content\/uploads\/2018\/09\/Titel-gross-300x98.png\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Gesch\u00e4tzte Lesezeit\" \/>\n\t<meta name=\"twitter:data1\" content=\"2 Minuten\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/danielnehring.de\/news\/\",\"url\":\"https:\/\/danielnehring.de\/news\/\",\"name\":\"Daniel Nehring News News Upcoming Exhibitions - 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